Marvel Studios Series Provide a New Way of Introducing More Superheroines to the MCU
Spotlight on Scripps Artist Jeannette Hunker
Ted Chiang and the Progressive Potential of Science Fiction
Monthly Reading Recommendations: February
In “Framing Britney Spears,” the Media Tells Her Story for Her Once Again
2020 Movie Reviews
The Disappointing Character Arc of Moira Rose
Movies to Watch on Thanksgiving
A Queerer Sam Smith: Album Review and Song Ranking for Love Goes
Public Art in Claremont and Around the Country: “Meet in the Middle”
Petrifying Page-Turners for the Spooky Season
Prequel to “The Hunger Games” Starring President Snow Falls Flat
Our Quarantine Reads
Best New Songs to Post on Your Instagram Story
Tame Impala’s “The Slow Rush” is the Work of a Paralyzed Perfectionist
Love is Blind: Is Emotional Connection Enough?
Birds of Prey: The Girl Gang Movie The Internet Has Dreamed Up is Finally Here
Legends and Letdowns at the 2020 GRAMMY Awards
Oscars 2020: How Greta Gerwig’s Directorial Snub Reflects a Troubling Pattern
A Love Letter to “Little Women” and the Spirit of Scripps
Remembering Scripps Alumna Norma Tanega
Testaments: The Sequel to The Handmaid’s Tale We Wanted, but Didn’t Need
Valentine’s Day Playlists
Frozen 2 Review
“Last Christmas”: Yet Another White Knight
Who Lives Off Whom? : A Review of Bong Joon-Ho’s Parasite
“Cheap Queen” Takes King Princess from Internet Star to Full-Fledged Artist
“BoJack” Brings Hollywood Culture to Audience’s Analysis
FKA Twigs Builds Anticipation for her Album “MAGDALENE”
Taylor Swift is Happy (Finally) on her Bright and Dreamy Seventh Album “Lover”
Murder, She Reviewed: Thrills and Chills in Literary Horror
We’re Here, We’re Queer: How Reality TV Dating Caught Up This Summer
A Love Letter to Lana Del Rey
A Surreal Exhibit at Pitzer
A capella at the 5C’s: Like Pitch Perfect, but with less Anna Kendrick…
Who is… Alex Trebek?: The Elusive “Jeopardy!” Host’s Recent Brushes with The Claremont Colleges
Breaching Boundaries: Thoughts on Pomona College Museum of Art’s BREACH, Intermodal
Metamorphoses Hasn’t Changed A Bit
The Jonas Brothers and the Comeback
Are We Too Old to Learn a Thing or Two From Sex Education?
Oscars History: How The Academy Awards Likes to Talk about Race (And How it Doesn’t)
RBG Graces Uninventive Work with Her Eloquence
No Such Thing as Too Much Spider-Man
The Patriot Act with Hasan Minhaj is Changing the Landscape and Scope of Comedic News Commentary
Cold War Blazes On Screen
Crazy Rich Representation: Best-Selling Author Kevin Kwan shares stories with Singaporean Actress Tan Kheng Hua at Scripps Presents
The Controversy of Greta Van Fleet and Musical Inspiration
Scripps Presents Abbi Jacobson and Lena Waithe in Conversation: #StrongWomenSzn
Queer Artists Who Are Killing The Game
Beautiful Boy (Content Warning: Drug Usage and Addiction)
A Star Is Born: Believe the Hype
Seriously Good: The Rise of Asian Americans in Mainstream Music
Rachel Chu & Me: A Personal Reflection on Crazy Rich Asians
Greil Marcus Talks Failing, Rock and Roll, and Being Human
Pynk Is My Favorite Part… Maybe?
Wit, Identity and Great Theatre: A Review of A Midsummer Night’s Dream at Pomona College
Unpopular Opinion: Spotify Sucks
Thoroughbreds Is A Brutal Satire About Blue-Blooded Apathy
5 Lesbians Eating a Spoiled Quiche: A Not-So Empowering Play
New Music to Get Through the Mid-Semester Slump
An Ode to Feminist B Horror Movies
Mothers, Daughters, and Lady Bird: How We Relate to Cinema
I Miss Moonlight
The Grammys are a Disgrace, What’s New?
Summer Lineups: Where are the Women?
