In Hell or High Water, Hozier Cannot Be Damned
In Season Two, “Shadow and Bone” is Murkier than the Shadow Fold
‘Daisy Jones & the Six’ Is Too Much Glitter, Not Enough Gold
The Wacky Wonderland of Ant Man and the Wasp: Quantumania
Cocaine Bear: Paddington Gets A Little Too Silly
Oscar Nominations: (Our Hopeful) Expectation vs. (Our Predicted) Reality
“The Last of Us”: An Infectiously Impressive Adaptation
M3GAN: The Revival of Spoof Horror and the Yassification of AI
Emerging Artists to Listen to: Noah Kahan, Gracie Abrams, and Quinnie
Falling For Christmas: Netflix’s Take on the Classic Hallmark Christmas
Big Mouth Season 6 is Taking a Turn
Hillerska is filled with Pride (for school obviously): Young Royals Season 2
Taylor Swift’s “Midnights”: The Marvels, the Melancholy, and the Monotony
Another Glorious Sequel Makes Me Sick (with enthusiasm): A Review of Hocus Pocus 2
Pearl: More Than the ‘Female Joker’
Barbarian: My Least Favorite Movie about Motherhood
The Surprising Story Behind Bound Goat Thursday
A Review of Pomona College’s “If nobody does remarkable things”: A Surprisingly Unremarkable Production
The Perfect Playlist to Put You in the Fall Spirit
Who Says We Have to *Let it Go*?: A Review of High School Musical: The Musical The Series Season 3
Bodies, Bodies, Bodies: The Laziest Take on Generation-Z since Millennials Discovered Tik Tok
Don’t Worry Darling is a Psychological Thriller that Begs for a Second Watch
‘The Simple Life’ is the Best Worst Show You’ll Ever Watch
Move Over, Dr. Strange: ‘Everything Everywhere All at Once’ is the New Multiverse Madness
‘It’s 2016 Somewhere’: My Montgomery Origin Story and His Skyrocketing Career
The Batman: A Mystery Well Worth 176 Minutes of Your Day
Eloise and Penelope in Season Two of “Bridgerton” Put Real Friendships Center Stage
Turning Red Turns the Narrative
For Some Reason, I watched the New Ice Age Movie
Toxicity in Wattpad Stories and the Genre of Fanfiction
Netflix Needs To Be Stopped
OSTs: The Musical Adventure You Should Experience
“Lovers, Strangers, and Friends”: A Living Exhibit
“Movie Lovers Unite”: Oscar Predictions
“Euphoria” is Back, But is it Better Than Ever?
“Hawkeye”: A Disappointing Introduction to Kate Bishop
“Laurel Hell” Is Mitski’s Sublime 80s-Pastiche Return to Indie
Gaslight, Gatekeep, Girlboss: The Empire of Succession
Adele’s 30 Marks the Artist’s New and Powerful Return
People May Disappoint You, But That’s What All Too Well is For: A Review “From the Vault” of Red (Taylor’s Version)
It’s Giving Season: Netflix’s Best Worst Original Christmas Movies For Your Holiday
“The French Dispatch:” Anderson Strikes Again
I Saw “Dune” and All I Got Was This Sandworm
The Importance of “Shang Chi and the Legend of the Ten Rings” Spans Far Beyond the Screen
Halloween Hilarities
A Definitive Ranking of folklore’s Most Autumnal Songs
2021 Oscar Nominations Make History
Monthly Reading Recommendations: March
How the College Application Process is Portrayed in Teen Movies and Shows
Marvel Studios Series Provide a New Way of Introducing More Superheroines to the MCU
Spotlight on Scripps Artist Jeannette Hunker
Ted Chiang and the Progressive Potential of Science Fiction
Monthly Reading Recommendations: February
In “Framing Britney Spears,” the Media Tells Her Story for Her Once Again
2020 Movie Reviews
The Disappointing Character Arc of Moira Rose
Movies to Watch on Thanksgiving
A Queerer Sam Smith: Album Review and Song Ranking for Love Goes
Public Art in Claremont and Around the Country: “Meet in the Middle”
Petrifying Page-Turners for the Spooky Season
Prequel to “The Hunger Games” Starring President Snow Falls Flat
Our Quarantine Reads
Best New Songs to Post on Your Instagram Story
Tame Impala’s “The Slow Rush” is the Work of a Paralyzed Perfectionist
Love is Blind: Is Emotional Connection Enough?
Birds of Prey: The Girl Gang Movie The Internet Has Dreamed Up is Finally Here
Legends and Letdowns at the 2020 GRAMMY Awards
Oscars 2020: How Greta Gerwig’s Directorial Snub Reflects a Troubling Pattern
A Love Letter to “Little Women” and the Spirit of Scripps
Remembering Scripps Alumna Norma Tanega
Testaments: The Sequel to The Handmaid’s Tale We Wanted, but Didn’t Need
Valentine’s Day Playlists
Frozen 2 Review
“Last Christmas”: Yet Another White Knight
Who Lives Off Whom? : A Review of Bong Joon-Ho’s Parasite
“Cheap Queen” Takes King Princess from Internet Star to Full-Fledged Artist
“BoJack” Brings Hollywood Culture to Audience’s Analysis
FKA Twigs Builds Anticipation for her Album “MAGDALENE”
Taylor Swift is Happy (Finally) on her Bright and Dreamy Seventh Album “Lover”
Murder, She Reviewed: Thrills and Chills in Literary Horror
We’re Here, We’re Queer: How Reality TV Dating Caught Up This Summer
A Love Letter to Lana Del Rey
A Surreal Exhibit at Pitzer
A capella at the 5C’s: Like Pitch Perfect, but with less Anna Kendrick…
Who is… Alex Trebek?: The Elusive “Jeopardy!” Host’s Recent Brushes with The Claremont Colleges
Breaching Boundaries: Thoughts on Pomona College Museum of Art’s BREACH, Intermodal
Metamorphoses Hasn’t Changed A Bit
The Jonas Brothers and the Comeback
Are We Too Old to Learn a Thing or Two From Sex Education?
Oscars History: How The Academy Awards Likes to Talk about Race (And How it Doesn’t)
RBG Graces Uninventive Work with Her Eloquence
No Such Thing as Too Much Spider-Man
The Patriot Act with Hasan Minhaj is Changing the Landscape and Scope of Comedic News Commentary
Cold War Blazes On Screen
Crazy Rich Representation: Best-Selling Author Kevin Kwan shares stories with Singaporean Actress Tan Kheng Hua at Scripps Presents
The Controversy of Greta Van Fleet and Musical Inspiration
Scripps Presents Abbi Jacobson and Lena Waithe in Conversation: #StrongWomenSzn
Queer Artists Who Are Killing The Game
